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| Term | Definition |
|---|---|
|
Ai |
Harmony, love, |
| ai nuke | mutual preservation |
| ai uchi | mutual striking (destruction) |
| ai-hanmi | when uke and nage face each other with the same foot forward |
| aiki bujitsu | original name for Aikido |
| Aiki O-Kami | the Great Spirit (inner essence) of Aikido |
| aiki taiso | warm-up exercises |
| aiki-jo | practising Aikido by extending ki through a jo |
| aiki-ken | practising Aikido by ki extension through a sword |
| Aikido | The Way of Harmony with Universal creative energy |
| Aikidoka | An Aikido practitioner |
| Amaterasu Omi Kami | enlightening spiritual essence of the sun, sun goddess, universal spirit |
| Arigato gosai mashita | Thank you for what you've done (traditional statement of gratitude to teacher after class) |
| ashi | leg or foot |
| atemi | strike to a vital point |
| atemi waza | striking techniques |
| bo-ken (bokken) | wooden sword |
| budo | the Way of martial art |
| bushido | the Way of the warrior |
| chu | loyalty |
| chudan | weapons held at middle level |
| deshi | student |
| Do | Chinese 'Tao,' The way |
| dogi | training uniform (also called a gi) |
| dojo | the place of the Way (the training hall) |
| dori (tori) | hold |
| Doshu | the leader of the Way (the head of Aikido) |
| eri tori | uke grasps nage's collar |
| fudo shin | steadfast spirit |
| funakogi | rowing exercise |
| furi tama | 'Shaking down the spirit' , a ki-focussing exercise |
| gake | attack |
| gedan | lower level |
| gi | training uniform |
| giri | sword cut |
| go nin gake | five people attack |
| gokyo | Fifth tewaza |
| goshi (koshi) | hip |
| gyaku te tori | cross hand grab. i.e., right hand attacks right hand |
| gyaku-hanmi | when uke and nage, facing each other have the opposite foot forward in hanmi |
| hai (pronounced 'hi') | yes |
| hajime | begin |
| hanmi | triangular stance |
| hanmi hantachi | nage kneels while uke stands |
| hara | belly, the body's centre, the one-point (the tan tien of Chinese Taoism) |
| hayakama (hakama) | cullotte type over-pants worn by Japanese martial artists in the sword schools |
| hidari | left |
| hiji tori | grasping elbow attack |
| hiza` | knee |
| hyaci undo | back stretching exercise |
| Ik-kyo | first tewaza |
| irimi | entering into or penetrating opponent's space |
| irimi nage | a throw whose main element is irimi |
| irimi-tenkan | the enter and turn tai-sabaki used in many techniques, especially against weapons |
| jin | benevolence |
| jiu waza | 'gentle techniques' techniques without striking |
| jiyu jizai | absolute freedom resulting from awareness of one's own nature as the essence of the universe itself |
| Jiyugi nage | crossed arm (arm entanglement) throw |
| jo | staff |
| jo nage waza | techniques for throwing with the jo |
| jo tori | jo taking (disarming) techniques |
| jo waza | staff techniques |
| jodan | upper level |
| jodo | the way of the Jo, staff fighting |
| kaeshi waza | reversal techniques, Aikido counters to Aikido counters |
| kaiten | 'kai' is to open and let the attacking force through, 'ten' is to turn things around in your favour |
| kaiten nage | wheel-like or circular throw |
| kamae | weapon-holding stance |
| kami | inner essence or 'spirit' of a thing which, on being truly perceived |
| kami waza | divine technique through inspired use of universal principle and spiritual power |
| kamiwaza | divine technique motivated by the universal principal and spiritual power |
| kamiza | where the kami resides, traditionally the front of the dojo |
| kanji | Chinese characters, ideographs |
| kata | set forms |
| kata | shoulder |
| kata te | hand |
| kata te tori | one hand grasping opponent's hand |
| kata tori | uke grasp's nage's shoulder with one hand |
| kata tori shomen uchi | uke grasps nage's shoulder and strikes at head |
| keiko (geiko) | practice |
| ken | sword: The Aikido sword is an instrument for protection and spiritual development |
| ken jitsu | sword techniques |
| ken tori | sword 'taking' or disarming techniques |
| kendo | the Way of the Sword, Japanese fencing |
| kensho | a student' first experience of enlightenment |
| kesa giri | diagonal sword cut from shoulder to hip |
| Ki | bio-energy, life-force, Universal creative energy |
| ki-musubi | tying together with ki |
| ki-no-nagare | movement which flows powerfully and seamlessly from one technique to another |
| kiai | shout which occurs when extending ki in actions such as kokyu-nage and atemi |
| kiatsu | ki resuscitation technique |
| kihon | basic form of techniques |
| kiri (giri) | cut |
| koan | Zen paradox designed to lead to comprehension beyond conceptual thought |
| kohai | junior student |
| kokoro | heart |
| kokyu | breath-spirit power - pervasive cosmic force incorporating yin-yang principle |
| kokyu ho suwari waza | kneeling ki extension exercise |
| kokyu nage | breath spirit throw |
| kokyu ryoku | the power of kokyu |
| kokyu undo | breath-movement exercises for focussing ki |
| koshi (goshi) | hip |
| kote | wrist |
| kote gaeshi | wrist bending technique |
| kote giri | wrist cut |
| kototama | the esoteric science of sacred sounds and speech which focusses energy |
| kubi | neck |
| kuden | inner secrets imparted only through direct transmission by master to student |
| kyu | grade below black belt |
| ma-ai | harmony of space (proper space for safety) |
| mae giri | front kick |
| makoto | true mind; complete sincerity and honesty |
| mandala | sacred diagram, cosmic map |
| men | head |
| michi | divine knowledge |
| migi | right |
| misogi | purification. Aikido is a method of cleansing one's self of maliciousness, and removing spiritual barriers to progress |
| moro te tori | uke grasps nage's hand with both hands |
| mu | emptiness, the void |
| mujushin | the mind of no abode or stopping place |
| mune | chest |
| mune tsuki | straight punch or thrust to chest or solar plexus |
| mushin | empty mind - state of extreme awareness of the here-now without verbal thought processes |
| musubi | harmonious connection, unity, oneness with Nature |
| nagare | unbroken flow of energy and movement |
| nage | a throw, or one who throws |
| ni-kyo | second tewaza |
| nodo | throat |
| O'Sensei | Great Teacher |
| obi | belt |
| okugi | highest and secret teaching |
| omote | front or forwards |
| onegai shimasu | thank you for what you are about to do or teach |
| osae | a pin or 'lock', an immobilisation hold |
| osae waza | locking or pinning techniques |
| oyo waza | practical combat applications of Aikido techniques |
| randori | unrehearsed multiple attack practice |
| rei | bow |
| reigi | etiquette |
| ryo | both |
| ryo kata tori | uke grasps both shoulders from front |
| ryo te tori | uke grasps grasps nage's two hands |
| samurai | upper or military class in Feudal Japan, a Japanese knight or gentleman |
| san nin gake | three people attack |
| san-kyo | third tewaza |
| satori | enlightenment |
| seiza | traditional method of sitting on folded knees; formal kneeling posture |
| sempai | senior student |
| sensei | teacher |
| shiai | contest |
| shihan | master teacher |
| shiho giri | cutting in four directions |
| shiho nage | four directions throw, named after shiho giri |
| shikko | knee walking |
| shikoku | blind angle |
| shime | choke |
| shin | heart, mind, spirit, centre, core, God |
| shin ken | live blade |
| shinken shobu | fight to the finish, throwing oneself single-mindedly into one's training |
| shinshin toitsu | body-mind coordination |
| Shinto | a way of life which seeks to comprehend the inner essence or true nature of things, called 'kami' |
| sho men tsuki | straight thrust to the head |
| sho men uchi | downwards blow to the head |
| shoshin | beginners's mind, an open, unprejudiced attitude (necessary to retain in advanced training) |
| soto | outer |
| suburi | repetitions of a weapons movement to perfect technique |
| suki | opening, weak point |
| sumi otoshi | corner drop |
| sumo | traditional Japanese wrestling associated with Shinto mythology for spiritual development |
| suwari waza | techniques done on knees |
| tachi | sword |
| tachi tori | sword taking techniques |
| tai jitsu | unarmed or 'body techniques' |
| tai no-henko | pivoting of the body, usually called tenkan |
| tai sabaki | body movement (the 'footwork' of Aikido) |
| takemusu | the life-generating, creative force of Aiki |
| takemusu aiki | 'Courageous and creative living' |
| tanden (hara) | the centre of the body, the one-point where one's life-forces should be focussed |
| tanto | knife |
| Tao (Chinese) | Way, path, discipline, way of life (Japanese 'Do') |
| tatami | mats |
| te katana | hand sword |
| te waza | hand techniques |
| tenchi nage | heaven and earth throw |
| tenkan | pivoting rearards on the front foot |
| tewaza | hand technique |
| tori | the one who takes (alternative name for nage) |
| Tori (dori) | to grasp |
| tsuki | straight thrusting blow |
| uchi | inner |
| uchi deshi | inner student or apprentice teacher |
| ude | arm |
| Ueshiba Morehei | The Founder of Aikido, O'Sensei Ҕhe Great TeacherӀ0x54 0x68 0x65 |
| uke | attacker, the one who ҲeceivesӠthe technique which counters the attack |
| ukemi | techniques for falling safely |
| undo | exercise |
| ura | backwards or rearward |
| ushiro | behind |
| ushiro ryo hija tori | uke grasps nage's two elbows from behind |
| ushiro waza | techniques against attacks from rear |
| ushiro kubi shime | strangle from rear |
| ushiro ryo kata tori | uke grasps both nage's shoulder's from behind |
| ushiro ryo te tori | uke grasps nage's two hands from behind |
| ushiro tori | bear hug from behind |
| waza | techniques |
| yang | positive pole, centrifugal force, maleness, upper level, forward side etc |
| yin | negative pole, centripedal force, femaleness, lower level, rear side etc |
| yin-yang | the two interacting and mutually dependent opposites of all things |
| yoko | side |
| yoko men uchi | strike to side of head |
| yon-kyo | fourth tewaza |
| yudansha | dan grade student |
| za-zen | literally 'seated Zen' - practising the Zen state while seated |
| zanshin | calmly aware perceptiveness or unbroken concentration |
| Zen | A mental or 'inner' state of calm, settled perceptiveness and comprehension |
©2012 ANU Aikido Club (John Turnbull Sensei)